Lost Stanley Kubrick screenplay, Burning Secret, is found 60 years on
From the 50s, during his time at MGM
From the 50s, during his time at MGM
Simple but based on deep understanding of academic research about the topic.
Great profile by Sean O’Neal.
Just read the whole thing if you like good writing. Trust me.
Being happy is the most subversive thing a woman can be.
A good movie is three good scenes and no bad scenes.
When I was ten I read fairy tales in secret and would have been ashamed if I had been found doing so. Now that I am fifty I read them openly. When I became a man I put away childish things, including the fear of childishness and the desire to be very grown up.
The output of neural networks makes me think about the delights of human learning. We are copycats. We only learn anything by iterating over hundreds or thousands of examples. But just when that process starts to seem dull or rote, we make a mistake. Mistakes are where invention hides. When the copying fails we see the gleaming of a new form.
Anyway, here’s a hilarious post from Lewis and Quark about terrible fake Broadway musicals.
You cannot write payoff-based TV anymore because the audience is essentially a render farm. They have an unlimited calculation capacity. There’s no writers’ room that can think more than 20 million people who can think about it for an hour a day.
I know it’s pointless to pine for a pre-Zuck world: That golden age when, if you wanted to feel inadequate and self-conscious and also thoroughly disgusted with yourself and with humankind generally, you had to get in your car and go to some party.
There is, for me, a sort of porcupine defensiveness, with the tender meat of love underneath it, that goes up when I am asked to talk about my childhood.
Didn’t realize this adaptation is run by a Breaking Bad writer, Moira Walley-Beckett.
With her TV series, Walley-Beckett is trying to solve a riddle: If everything about “Anne of Green Gables” is what prestige TV usually avoids, how do you adapt it in a way that is both sufficiently sophisticated and yet not a betrayal of the source material? Can Anne Shirley, the yummy pleasure who has flourished by cheerfully gliding above her trauma, be transformed into an almost-antiheroine who, in the fashion of contemporary television, has to grapple with her awful past directly? And can she do so whil
Here’s a note about notes. It turns out that there is some serious OCR (optical character recognition) in OneNote. I knew text in images and PDFs would show up in searches, which is handy but not mind-blowing as it’s been in Evernote for like 10 years. But what I didn’t know is:
Yup, it’s how I made this note. I wrote it last night with the Apple Pencil on an iPad Pro. I converted it and had to do some editing, and there’s the downside. Of course it’s not 100% or even 80% accurate (again, I mostly blame my handwriting). But also you can’t actually convert to text on the iPad. I’m using the Windows client right now which is the most full-featured, perhaps unsurprisingly. Checking…
No, you can’t do it on the Mac app either. That’s a shame. OCR is working in the background, indexing images so they show up in search results, but there is no feature in the interface that will convert to text.
Anyway, when this feature makes its way into the iOS client, this will be a wonderful option for note-taking. I definitely prefer handwriting for meetings, brainstorming, and some other uses – it’s great just to get away from a keyboard for a bit. It’s certainly one of those things that tablets are good at and feel a lot more delightful than typing. But the ability to turn that scrawl into usable text is to me, kind of a killer app.
Met Denis in 2001 when he was still working at Space. We have lost a great voice.